The Summary Of All Its Parts
Many years ago, I worked at a university. Part of my job was to write and edit academic papers and reports. Anyone who’s ever written such a report knows that often the only part of it anyone actually reads is the executive summary. So, the executive summary, like all summaries, needs to contain the most salient parts of the report in just a few words. This was always a task that took great thought and care, but reports are largely objective and emotionless.
Now, as a fiction writer, I’m once again required to write summaries for my work. I won’t lie; it’s still the part I find the trickiest. Unlike reports, stories are imbued with emotion. They are our deepest thoughts set free. How do you sum up the blood, sweat and tears (shh, I’m being dramatic) you poured onto a page into just a few lines? What makes a good summary? I wish we had an easy to follow, handy dandy guide to writing summaries.
Let us know in the comments whether you write stellar summaries, or whether they’re sputtering along. What are your tips and techniques? Do you struggle with them too?
May Poetry Slam: Poetry Criticism
All right, poets, it’s your turn. April was National Poetry Month, so this month instead of a slam we’re going to talk about how to read and critique all that work you generated for your #poemaday before you unleash it on an unsuspecting Internet. Or, if you’ve been reading everyone’s poetry but not feeling sure how to discuss it, it’s a great time to build some vocabulary around poetry critique! Learn more from Rowan here.
Prompt Up is our optional weekly writing prompt for the fiction|poetry challenge! Here’s how it works: we choose a sentence prompt from last week’s winning nonfiction post and announce it in the kickoff. It’s your job to use that prompt in your poem or story and then run with it. The prompt is just a springboard, though: feel free to use it as your first sentence, move it, change it, or float it down to other territories.
In Sreeblog’s Yes I lie to you, Mom, a mother and daughter come to an understanding. This week’s optional Prompt Up is: “The rain looked different in that city.”
How to submit and fully participate in the challenge:
Basic YeahWrite guidelines: 750 word limit; your entry can be dated no earlier than this past Sunday; fiction or poetry only.
1. In the sidebar of this week’s post, please grab the code beneath the fiction|poetry badge and paste it into the HTML view of your entry;
2. Follow the Inlinkz instructions after clicking “add your link” to upload your entry to this week’s challenge grid;
3. Your entry should appear immediately on the grid if you don’t receive an error message;
4. Please make the rounds to read all the entries in this week’s challenge; and
5. Consider turning off moderated comments and CAPTCHA on your own blog.
Submissions for this week’s challenges will close on Wednesday at 10pm ET. Voting will then open immediately thereafter and close on Thursday at 10pm ET. The winners, as always, will be celebrated on Friday.
Thank you for sharing with us your hard work! Good luck in the challenge…
About the author:
Asha keeps moving from one side of the world to the other. Her most recent move has taken her back to Perth, Western Australia where she grew up. She lives near the beach but hates sand between her toes. It’s a real conundrum. Asha began blogging at YeahWrite in October 2014 with this post, and YeahWrite was lucky to pull her on board as a Contributing Editor in December 2016. She is currently working on a novelette that grew from a series of flash fiction pieces. Asha is published in a variety of places including Modern Loss, PANK, Dead Housekeeping, and SheKnows. You can find her inconsistent blogging at Parenting In The Wilderness, or at her fiction blog, FlAsha Tales.